Festival to delivery

Your festival files proved the film can screen. Now build the package it needs to travel.

Exhibition materials and delivery materials are prepared for different systems. Here is what changes between the file that screened and the package a distributor, aggregator or platform ingests.

Readiness comparison

What a screening needs, and what a delivery package needs.

Picture

Festival file

A DCP or screener that projects cleanly, often with a slate, watermark or laurels.

Delivery package

A mezzanine master at a specified codec, resolution, frame rate and colour space, with no slate, watermark, laurels or burned-in timecode.

Sound

Festival file

A mix balanced for a specific room and playback chain.

Delivery package

Measured loudness and true peak, verified channel mapping and sync, and dialogue balance checked against the destination profile.

Text on screen

Festival file

Burned-in subtitles, which satisfy a screening but not accessibility requirements.

Delivery package

Separate SDH caption files with speaker IDs and non-speech cues, validated against the exact delivery master.

Artwork

Festival file

One poster, sized for print or a programme, usually carrying laurels and festival credits.

Delivery package

Artwork across the required aspect-ratio families with safe areas respected, plus textless variants for localisation.

Metadata

Festival file

A programme entry and a synopsis written for an audience already in the room.

Delivery package

Structured fields: logline, synopses, normalised credits, genres, keywords, runtime, language and rating information.

Documents

Festival file

Rarely requested beyond a screening agreement.

Delivery package

A cue sheet with timings and publisher detail, plus an organised inventory of rights and clearance documents.

Start to finish

From festival master to final handoff.

  1. 01

    Intake

    You share the master, supporting assets and intended destinations. We confirm access and build the project inventory.

  2. 02

    Review

    Every asset is inspected and marked ready, needs correction, missing or destination-specific.

  3. 03

    Prepare

    Master, audio, captions, artwork, metadata, trailer and document index are prepared to the agreed plan.

  4. 04

    Approve

    You approve caption spelling, credits, synopses, artwork and the final master.

  5. 05

    Verify and hand over

    Final QC, checksums, manifest and written QC report, returned to your storage.

Send the film you just toured.

On a free, 15-minute readiness call we establish where your film stands, your intended distribution route and what preparation it needs. Detailed file inspection and technical QC are paid work, scoped after the call.